You gave some low budget options here in the video: buy the cheap xrite one (which is now called ColorChecker Display Plus, from what I’ve seen) or go mid-tear with the c6 and rectify anually. Patrick, one more question, this time about colorimeters. Thank you for your answer, Patrick! I will look into the UltraStudio 3G video interface and check its specs. If you want flexibility then you’re going to have to go with the bigger/more expensive versions of those hardware solutions. You need to be sure you buy the one that suits all of your workflows. BUT – you need to carefully read the specifications of Frame Rates, Frame Sizes, and color spaces that the hardware supports. Happily, this does include the mini Convertors – some of which are VERY inexpensive. In terms of your options, if you’re using DaVinci Resolve then your only hardware interface options are the BMD options: Decklink and Ultrastudio options. And based on discussions I’ve had with professional calibrators, there changes to the image applied by the Operating System is non-linear in nature and almost impossible to accurately fix with calibration or color profiles. Be sure to leave yours.Įduardo – IF you want your display to be an accurate representation of the image as recorded on the hard drive, then based on how computer operating systems actively manage their HDMI outputs – you need to bypass that HDMI image management. Got something to say on this topic? Or ask? We love comments. ![]() This podcast gets into the psychology of reference displays and client relations. What to Do If Your Client Doesn’t Trust Any Of Your Reference Displays? It demonstrates both Lightspace and Calman. This 11-part series digs into an array of Calibration questions and answers. Introduction to Reference Display Calibration: Series Overview If after watching this Insight you want to dig deeper into these topics here are a few good starting points: Some of these have been covered in a few series here on Mixing Light. Waveforms: How do you know if you’re using your waveform displays in a productive manner?.Calibration: What’s the point of calibration? What’s the basic gear you need to get started?.The Reference Display: What are the different tiers in the quality of reference displays?. ![]() But there are three additional considerations every professional has at the top of their mind when setting up their suite: In Part 1 of this series, you learned how the physical setup of a room can have serious negative effects on your color grading decisions. Tutorials / Marathon Series / 2020 New Year Marathon / Color Grading Success 101 – Displays, Colorimeters, and Waveforms Seriesĭay 10: 24 Insights In 24 Days – 2020 New Year Marathon! How To Color Grade Like A Professional: Part 2
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